Gabe Taylor

Gabe Taylor

chicago-based director, writer, producer, & technician

directing

(in progress) Everything But The Squeal (date TBD)

director, executive producer, co-writer, production designer

Development and production of an experiential devised theatre piece centering generational trauma stemming from immigration, unionization and class struggles anchored by Sinclair’s The Jungle

Collaborators

Amanda Wales-

writer, assistant director, performer

Max Hill-

dramaturgy, marketing
Moscow! (ERA, 2020 (virtual), 2015)

Fyodor Iliyitch Kulygin

dir. Lucy Cashion

performer, assistant director, stage manager (2015 run)

ERA’s MOSCOW! is a drinking-game version of Anton Chekhov’s play THREE SISTERS. Olga, Irina, and Masha are sisters living in an insignificant town in Russia. They spend a lot of time talking about how all they really want to do is go back to Moscow, where everything is better. The town’s people come and go through the sisters’ house, which they own with their brother, Andrey. Everyone is so emotionally erratic – is it because they’re Russian? Perhaps it’s because they’re drunk. THREE SISTERS examines the frivolity of privileged life; MOSCOW! intensifies it with live music, dancing, and vodka.
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whither should I fly (Theatre Nuevo, 2018)

whither should I fly

director, production design, sound design

a devised exploration of prescriptive women's behavior through witchcraft and multilevel marketing presented as part of the 2018 FAUSTival

co-written by Gabe Taylor and Amanda Wales
and devised by the ensemble

Cast:
Thalia Cruz
Miranda Jagels Félix
Alicen Moser
Tori Thomas
Amanda Wales
Marcy Wiegert

Stage Management: Erica Withrow
Costume Design: Marcy Wiegert
Lighting Design: Ben Lewis


i carried souls to the goddess as the sparrow
i relinquished fear as the crow
i knew myself & my song as the owl
i snatched victory as the falcon
i knew the dead as the kite
i wore the dark mask of the osprey
i rose with the potency of the condor
i stood atop the tower as the raven
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FAUST: go down with all the re$t (ERA, the FAUSTival, 2019)

Wagner

co-dir. Lucy Cashion, Gabe Taylor

performer, co-director

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How much is a soul worth? Based on Goethe's most celebrated work, ERA’s experimental musical, FAUST (go down with all the re$t), is a post-modern, rock-opera-adaptation in which Heaven is the bank and everyone prays to the Almighty Dollar. FAUST (go down with all the re$t) is a full-length theatrical production created by ERA’s ensemble of theatre artists with text from Goethe’s Faust, Mikhail Bulgakov’s The Master and Margarita, and contemporary television game shows. The script was created by the ensemble. The music was created by Kid Scientist. Join us for this capitali$t tragedy with music, dancing, and drinking!
Snow White (ERA, 2017)

Hubert

dir. Lucy Cashion

performer, assistant director

As the 2017 St Lou Fringe Festival local headline act, ERA created its latest experiment in theatre: SNOW WHITE. This new adaptation of the old story sources the novel Snow White by Donald Barthelme, Disney's Snow White and the Seven Dwarfs, and the Grimm brothers' Schneewittchen. Who is Snow White? What does she fear? Whom does she love?
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twelfth period or: not another twelfth night (ERA, 2017)

twelfth period: or, not another twelfth night

director, writer, executive producer, production design

An experimental, multi-space, theatrical production From William Shakespeare’s Twelfth Night and high school, circa 1999

Set in Illyria Preparatory Academy - “Where some are born great, some achieve greatness, and some have greatness thrust upon them.”

Cast:
Tyson Cole as Andy Aguecheek
Francesca Ferrari as Maria Smith
Keating as Mal Olio
Andrew Kuhlman as Toby Belch
Erik Kuhn as Valentine Walter/ James van der Beek
Erin Renée Roberts as Olivia Davenport
Amanda Wales as Sebastian/Viola Horowitz
Jonah Walker as Dude Orsino
and Anna Skidis Vargas as Mrs./Coach/Principal Feste

Stage Manager: Jimmy Bernatowicz
ASM/Production Assistant: Lex Ronan
Lighting by Erik Kuhn
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R+J: A Telephone Play (ERA @ SIUE's XFest, 2016)

dir. Lucy Cashion, Gabe Taylor (2016, XFest)

performer, co-director

ERA commissioned six playwrights to play a game of telephone that began with the last scene of Romeo and Juliet. The result: six new plays, each a re-interpretation of the last, which six actors perform for you.
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Never Mess with a Mexican Girl by Miriam Madrygal (Theatre Nuevo, Orgullo: A Pride of One Acts, , the Phaedra Phestival, 2016)

Never Mess with a Mexican Girl

by Miryam Madrigal

presented as part of Orgullo: A Pride of One Acts

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Never Mess with a Mexican Girl is a saucy twist on The Little Red Riding Hood fable. Little Roja is sent on a mission to cross El Rio Grande to deliver food to her abuelita who cannot get out to do her marketing. On her way there, she meets a rock star, El Gran Lobo. All the sexually hungry wolf wants is to take a bite out of her! He meets up with her at abuelita’s house only to find that Little Roja is smarter than he presumed. To save her life, she blasts him away with her diamond studded gun because she’s a real chingona! I had to cut out the woodsman role because who needs a man to save the girl?